The 1990s (pronounced "nineteen-nineties"; shortened to "the '90s") was a decade of the Gregorian calendar that began on 1 January 1990, and ended on 31 December 1999.
In the absence of world communism, which collapsed in the first two years of the decade, the 1990s was politically defined by a movement towards the right-wing, including increase in support for far-right parties in Europe[1] as well as the advent of the Hindu nationalist Bharatiya Janata Party[2] and cuts in social spending in the United States,[3] Canada,[4] New Zealand,[5] and the UK.[6] The United States also saw a massive revival in the use of the death penalty in the 1990s, which reversed in the early 21st century.[7] During the 1990s the character of the European Union and Euro were formed and codified in treaties.
A combination of factors, including the continued mass mobilization of capital markets through neo-liberalism, the thawing of the decades-long Cold War, the beginning of the widespread proliferation of new media such as the Internet from the middle of the decade onwards, increasing skepticism towards government, and the dissolution of the Soviet Union led to a realignment and reconsolidation of economic and political power across the world and within countries. The dot-com bubble of 1997–2000 brought wealth to some entrepreneurs before its crash between 2000 and 2001.
The 1990s saw extreme advances in technology, with the World Wide Web, the first gene therapy trial, and the first designer babies[8] all emerging in 1990 and being improved and built upon throughout the decade.
The rating war was part of a larger overall struggle between the WWF and WCW, originating in personal animosity between respective owners Vince McMahon and Ted Turner. The rivalry steadily escalated throughout the 1990s to include the use of cutthroat tactics and the defections of employees between the two promotions. Throughout the war, the WWF and WCW would both adopt different concepts and narrative techniques. Meanwhile, both companies would establish both formal and informal partnerships with Extreme Championship Wrestling (ECW), with ECW performers either appearing on WWF and WCW shows while still under contract, or outright leaving ECW to work for one of the other two companies. (Full article...)
... that the singer Luci van Org followed up her mainstream success from the 1990s by starting a "Latin–disco–pop–country crossover" band?
... that Cliff Christl, who became the Green Bay Packers team historian in 2014, estimated that he had recorded more than 250 oral histories with past players and coaches since the 1990s?
... that Derek Jeter discusses his biracial upbringing and experiencing racism in Michigan in the 1980s and 1990s in The Captain?
Enrique Miguel Iglesias Preysler (Spanish pronunciation:[enˈrikemiˈɣeliˈɣlesjasˈpɾejsleɾ]; born 8 May 1975) is a Spanish singer and songwriter. He started his recording career in the mid-1990s on the Mexican label Fonovisa and became the bestselling Spanish-language act of the decade. By the turn of the millennium, he made a successful crossover into the mainstream English-language market. He signed a multi-album deal with Universal Music Group for US$68 million with Universal Music Latino to release his Spanish albums and Interscope Records to release English albums. Enrique is the third and youngest child of Spanish singer-songwriter Julio Iglesias.
In 2010, Iglesias parted with Interscope Records and signed with another Universal Music Group label, Republic Records, to release bilingual albums. In 2015, he parted ways with Universal Music Group after being there for over a decade. He signed with Sony Music and his subsequent albums were to be released by Sony Music Latin in Spanish and RCA Records in English. (Full article...)
Image 47The federal building that was bombed in the Oklahoma City bombing two days after the bombing, viewed from across the adjacent parking lot. (from 1990s)
Image 54Rwandan genocide: Genocide victims in Murambi Technical School. Estimates put the death toll of the Rwandan genocide as high as 800,000 people. (from 1990s)
Image 56The catsuit became a trend in the late 1990s. Normally made of latex, PVC, or spandex, it was often worn with high-heeled boots. (from 1990s in fashion)
Image 58The compact disc reached its peak in popularity in the 1990s, and not once did another audio format surpass the CD in music sales from 1991 throughout the remainder of the decade. By 2000, the CD accounted for 92.3% of the entire market share in regard to music sales. (from 1990s)
Image 59Pagers became widely popular. (from 1990s)
Image 72The Nasdaq Composite displaying the dot-com bubble, which ballooned between 1997 and 2000. The bubble peaked on Friday, 10 March 2000. (from 1990s)
Image 121Go-go boots became fashionable again in 1995. They were worn by women of the hip-hop, alternative, and dance subcultures. (from 1990s in fashion)
The Terminator was considered a significant success, enhancing Schwarzenegger's and Cameron's careers, but work on a sequel stalled because of animosity between the pair and Hemdale Film Corporation, which partially owned the film's rights. In 1990, Schwarzenegger and Cameron persuaded Carolco Pictures to purchase the rights from The Terminator producer Gale Anne Hurd and Hemdale, which was financially struggling. A release date was set for the following year, leaving Cameron and Wisher seven weeks to write the script. Principal photography lasted from October 1990 to March 1991, taking place in and around Los Angeles on an estimated $94–102million budget, making it the most expensive film made at the time. The advanced visual effects by Industrial Light & Magic (ILM), which include the first use of a computer-generated main character in a blockbuster film, resulted in a schedule overrun. Theatrical prints were not delivered to theaters until the night before the picture's release on July 3, 1991. (Full article...)
McKenna wrote the script based on his own childhood and experiences of growing up in San Diego. He sold the script to New Line Cinema, which was impressed by the writing. American History X was Kaye's first directorial role in a feature film. Budgeted at $20 million, filming took place in 1997. Before the film's release, Kaye and the film studio were in disagreements about the final cut of the film, which Norton had played a pivotal role in conceiving. The final version was longer than Kaye intended, which resulted in him publicly disowning the film, thus negatively affecting his directing career. (Full article...)
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The Frighteners is a 1996 supernaturalcomedy horror film directed by Peter Jackson and co-written with Fran Walsh. The film stars Michael J. Fox, Trini Alvarado, Peter Dobson, John Astin, Dee Wallace Stone, Jeffrey Combs, R. Lee Ermey and Jake Busey. The Frighteners tells the story of Frank Bannister (Fox), an architect who develops psychic abilities allowing him to see, hear, and communicate with ghosts after his wife's murder. He initially uses his new abilities to befriend ghosts, whom he sends to haunt people so that he can charge them handsome fees for "exorcising" the ghosts. However, an entity posing as the Grim Reaper appears, able to attack the living and the dead, prompting Frank to investigate the supernatural presence.
Jackson and Walsh conceived the idea for The Frighteners during the script-writing phase of Heavenly Creatures. Executive producer Robert Zemeckis hired the duo to write the script, with the original intention of Zemeckis directing The Frighteners as a spin-off film of the television series, Tales from the Crypt. With Jackson and Walsh's first draft submitted in January 1994, Zemeckis believed the film would be better off directed by Jackson, produced by Zemeckis and funded/distributed by Universal Studios. The visual effects were created by Jackson's Weta Digital, which had only been in existence for three years. This, plus the fact that The Frighteners required more digital effects shots than almost any movie made until that time, resulted in the eighteen-month period for effects work by Weta Digital being largely stressed. (Full article...)
Before Crichton's novel was published, four studios put in bids for its film rights. With the backing of Universal Pictures, Spielberg acquired the rights for $1.5 million before its publication in 1990. Crichton was hired for an additional $500,000 to adapt the novel for the screen. Koepp wrote the final draft, which left out much of the novel's exposition and violence, while making numerous changes to the characters. Filming took place in California and Hawaii from August to November 1992, and post-production lasted until May 1993, supervised by Spielberg in Poland as he filmed Schindler's List. The dinosaurs were created with groundbreaking computer-generated imagery by Industrial Light & Magic, and with life-sized animatronic dinosaurs built by Stan Winston's team. To showcase the film's sound design, which included a mixture of various animal noises for the dinosaur sounds, Spielberg invested in the creation of DTS, a company specializing in digital surround sound formats. The film was backed by an extensive $65 million marketing campaign, which included licensing deals with over 100 companies. (Full article...)
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Rushmore is a 1998 American comedy film directed by Wes Anderson about a teenager named Max Fischer (Jason Schwartzman in his film debut), his friendship with rich industrialist Herman Blume (Bill Murray), and their shared affection for elementary school teacher Rosemary Cross (Olivia Williams). The film was co-written by Anderson and Owen Wilson. The soundtrack features multiple songs by bands associated with the British Invasion of the 1960s. Filming began in November 1997 around Houston, Texas, and lasted 50 days, until late January 1998.
While the box office results were modest, the film had a positive reception among film critics. The film helped launch Schwartzman's career while establishing a "second career" for Murray as a respected actor in independent cinema. At the 1999 Independent Spirit Awards, Anderson won the Best Director award and Murray won Best Supporting Male award. Murray also earned a nomination for the Golden Globe Award for Best Supporting Actor – Motion Picture. Starting from Rushmore, Murray became one of Anderson's most frequent collaborators, appearing in his eight subsequent films. In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being deemed "culturally, historically, or aesthetically significant". (Full article...)
Producers Lynda Myles and Roger Randall-Cutler acquired the film rights to the novel in 1988, and commissioned Doyle, a first-time screenwriter, to write an adaptation. Doyle spent one year working on the script before Myles brought in veteran screenwriters Clement and La Frenais to help complete it. Upon reading the novel, Parker signed on as the film's director in 1989. An international co-production between Ireland, the United States and the United Kingdom, The Commitments was the first film produced by Beacon Pictures, which provided an estimated budget of $12–15 million. The film's young lead actors were mostly inexperienced, and were cast because of their musical backgrounds and resemblance to the characters in the novel. Principal photography took place in Dublin, from late August to October, 1990. (Full article...)
After numerous unsuccessful attempts to develop a Fantasia sequel, The Walt Disney Company revived the idea shortly after Michael Eisner became chief executive officer in 1984. Development paused until the commercial success of the 1991 home video release of Fantasia convinced Eisner that there was enough public interest and funds for a sequel, to which he assigned Disney as executive producer. The music for six of the film's eight segments is performed by the Chicago Symphony Orchestra conducted by James Levine. The film includes The Sorcerer's Apprentice from the 1940 original. Each new segment was produced by combining traditional animation with computer-generated imagery. Fantasia 2000 is also generally linked to the Disney Renaissance, as it commemorates to Walt Disney's third animated feature film. (Full article...)
Roger Corman acquired the rights to Brosnan's novel in 1991 and the project entered production two years later to capitalize on an extensive marketing campaign used to promote Jurassic Park. Simon was hired to direct Carnosaur and is credited with writing the screenplay, reworking most of the plot elements of the novel. Afforded an $850,000 budget, the special effects were completed with models and animatronics largely designed by John Carl Buechler. (Full article...)
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An Unforgettable Summer (French: Un été inoubliable; Romanian: O vară de neuitat) is a 1994 drama film directed and produced by Lucian Pintilie. A Romanian-French co-production based on a chapter from a novel by Petru Dumitriu, it stars Kristin Scott Thomas as Hungarian-born aristocrat Marie-Thérèse Von Debretsy. Her marriage with Romanian Land Forces captain Petre Dumitriu brings her to Southern Dobruja (present-day northeastern Bulgaria), where they settle in 1925. There, she witnesses first-hand the violent clashes between, on one hand, the Greater Romanian administration, and, on the other, komitadji brigands of Macedonian origin and ethnic Bulgarian locals. The film shows her failed attempt to rescue Bulgarians held hostage by the Romanian soldiers, and who are destined for execution. An Unforgettable Summer also stars Claudiu Bleonț as Captain Dumitriu and Marcel Iureș as Ipsilanti, a general whose unsuccessful attempt to seduce Von Debretsy and the resulting grudge he holds against the couple account for Dumitriu's reassignment.
Completed in the context of the Yugoslav wars, the film constitutes an investigation into the consequences of xenophobia and state-sanctioned repression, as well as an indictment of a failure in reaching out. It is thus often described as a verdict on the history of Romania, as well as on problems facing the Balkans at large, and occasionally described as a warning that violence could also erupt in a purely Romanian context. (Full article...)
Warner Bros. fast-tracked development for Batman & Robin following the box office success of Batman Forever. Schumacher and Goldsman conceived the storyline during pre-production on A Time to Kill; Schumacher was given a mandate to make the film more toyetic than its predecessor. After Val Kilmer decided not to reprise the role of Batman, Schumacher was interested in casting William Baldwin before George Clooney won the role. Principal photography began in September 1996 and wrapped in January 1997, two weeks ahead of the shooting schedule. (Full article...)
We're Back! A Dinosaur's Story was released by Universal Pictures on November 24, 1993; it was marketed as the more family-friendly equivalent of Spielberg's Jurassic Park, which was released in June of the same year. However, the film was a box-office bomb, grossing only $9.3 million worldwide, and received mixed reviews from critics: while its animation, score, and voice performances were praised, most criticisms targeted its story, pacing, and lack of character development. (Full article...)
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Lost Highway is a 1997 surrealistneo noirfilm directed by David Lynch and co-written by Lynch and Barry Gifford. It stars Bill Pullman, Patricia Arquette, Balthazar Getty, and Robert Blake in his final film role. The film follows a musician (Pullman) who begins receiving mysterious VHS tapes of him and his wife (Arquette) in their home. He is suddenly convicted of murder, after which he inexplicably disappears and is replaced by a young mechanic (Getty) leading a different life.
GoldenEye is a 1995 spy film, the seventeenth in the James Bond Series produced by Eon Productions, and the first to star Pierce Brosnan as the fictional MI6 agent James Bond. Directed by Martin Campbell, it was the first in the series not to utilize any story elements from the works of novelist Ian Fleming. It was also the first James Bond film not produced by Albert R. Broccoli, following his stepping down from Eon Productions and replacement by his daughter, Barbara Broccoli (along with Michael G. Wilson, although Albert was still involved as a consultant producer; it was his final film project before his death in 1996). The story was conceived and written by Michael France, with later collaboration by other writers. In the film, Bond fights to prevent a rogue ex-MI6 agent (Sean Bean) from using a satellite weapon against London to cause a global financial meltdown.
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