The 1980s (pronounced "nineteen-eighties", shortened to "the '80s" or "the Eighties") was a decade that began on January 1, 1980, and ended on December 31, 1989.
The decade saw a dominance of conservatism and free market economics, and a socioeconomic change due to advances in technology and a worldwide move away from planned economies and towards laissez-faire capitalism compared to the 1970s. As economic deconstruction increased in the developed world, multiple multinational corporations associated with the manufacturing industry relocated into Thailand, Mexico, South Korea, Taiwan, and China. Japan and West Germany saw large economic growth during this decade. The AIDS epidemic became recognized in the 1980s and has since killed an estimated 40.4 million people (). Global warming theory began to spread within the scientific and political community in the 1980s.
The final decade of the Cold War opened with the US-Soviet confrontation continuing largely without any interruption. Superpower tensions escalated rapidly as President Reagan scrapped the policy of détente and adopted a new, much more aggressive stance on the Soviet Union. The world came perilously close to nuclear war for the first time since the Cuban Missile Crisis in 1962, but the second half of the decade saw a dramatic easing of superpower tensions and ultimately the total collapse of Soviet communism.
Developing countries across the world faced economic and social difficulties as they suffered from multiple debt crises in the 1980s, requiring many of these countries to apply for financial assistance from the International Monetary Fund (IMF) and the World Bank. Ethiopia witnessed widespread famine in the mid-1980s during the corrupt rule of Mengistu Haile Mariam, resulting in the country having to depend on foreign aid to provide food to its population and worldwide efforts to address and raise money to help Ethiopians, such as the Live Aid concert in 1985.
By 1986, nationalism was making a comeback in the Eastern Bloc, and the desire for democracy in socialist states, combined with economic recession, resulted in Mikhail Gorbachev's glasnost and perestroika, which reduced Communist Party power, legalized dissent and sanctioned limited forms of capitalism such as joint ventures with companies from capitalist countries. After tension for most of the decade, by 1988 relations between the communist and capitalist blocs had improved significantly and the Soviet Union was increasingly unwilling to defend its governments in satellite states.
The 1980s was an era of tremendous population growth around the world, surpassing the 1970s and 1990s, and arguably being the largest in human history. During the 1980s, the world population grew from 4.4 to 5.3 billion people. There were approximately 1.33 billion births and 480 million deaths. Population growth was particularly rapid in a number of African, Middle Eastern, and South Asian countries during this decade, with rates of natural increase close to or exceeding 4% annually. The 1980s saw the advent of the ongoing practice of sex-selective abortion in China and India as ultrasound technology permitted parents to selectively abort baby girls.
The 1980s saw great advances in genetic and digital technology. After years of animal experimentation since 1985, the first genetic modification of 10 adult human beings took place in May 1989, a gene tagging experiment which led to the first true gene therapy implementation in September 1990. The first "designer babies", a pair of female twins, were created in a laboratory in late 1989 and born in July 1990 after being sex-selected via the controversial assisted reproductive technology procedure preimplantation genetic diagnosis. Gestational surrogacy was first performed in 1985 with the first birth in 1986, making it possible for a woman to become a biological mother without experiencing pregnancy for the first time in history.
The global internet took shape in academia by the second half of the 1980s, as well as many other computer networks of both academic and commercial use such as USENET, Fidonet, and the Bulletin Board System. By 1989, the Internet and the networks linked to it were a global system with extensive transoceanic satellite links and nodes in most developed countries. Based on earlier work, from 1980 onwards Tim Berners Lee formalized the concept of the World Wide Web by 1989. Television viewing became commonplace in the Third World, with the number of TV sets in China and India increasing by 15 and 10 times respectively.
Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success.
The advent of MTV and cable video helped spur what has been seen as a Second British Invasion in the early years of the decade, with British bands enjoying more success in America than they had since the height of the Beatles' popularity in the 1960s. However, by the end of the decade a fragmentation has been observed, with many new forms of music and sub-cultures, including hip hop and house music, while the single charts were once again dominated by pop artists, now often associated with the Hi-NRG hit factory of Stock Aitken Waterman. The rise of the indie rock scene was partly a response to this, and marked a shift away from the major music labels and towards the importance of local scenes like Madchester and subgenres, like gothic rock. (Full article...)
... that Cathie Dunsford was unable to find many books about lesbianism in the 1970s, but by the 1980s had herself become a writer and anthologist of lesbian literature?
... that in the 1980s, NBC was given several hundred million dollars' worth of incentives to stay at 30 Rockefeller Plaza?
... that in the 1980s, international LGBT organizations organized protests in Europe and the Americas in support of Belgian teacher Eliane Morissens?
Image 10The world map of military alliances in 1980: NATO & Western allies, Warsaw Pact & other Soviet allies, Non-aligned countries, China and Albania (communist countries, but not aligned with USSR), ××× Armed resistance (from Portal:1980s/General images)
Image 14The Grateful Dead in 1980. Left to right: Jerry Garcia, Bill Kreutzmann, Bob Weir, Mickey Hart, Phil Lesh. Not pictured: Brent Mydland. (from Portal:1980s/General images)
Image 20Stage view of the Live Aid concert at Philadelphia's JFK Stadium in the United States in 1985. The concert was a major global international effort by musicians and activists to sponsor action to send aid to the people of Ethiopia who were suffering from a major famine. (from Portal:1980s/General images)
These are Good articles, which meet a core set of high editorial standards.
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When Harry Met Sally... is a 1989 American romanticcomedy-drama film directed by Rob Reiner from a screenplay by Nora Ephron. It stars Billy Crystal and Meg Ryan as Harry and Sally, respectively. The story follows the title characters from the time they meet in Chicago and share a drive to New York City through twelve years of chance encounters in New York. The film addresses the question "Can men and women ever just be friends?"
Ideas for the film began when Reiner and Penny Marshall divorced. An interview Ephron conducted with Reiner provided the basis for Harry. Sally was based on Ephron and some of her friends. Crystal came on board and made his own contributions to the screenplay. Ephron supplied the structure of the film with much of the dialogue based on the real-life friendship between Reiner and Crystal. The soundtrack consists of standards from Harry Connick Jr., with a big band and orchestra arranged by Marc Shaiman. For his work on the soundtrack, Connick won his first Grammy Award for Best Jazz Male Vocal Performance. (Full article...)
Cameron devised the premise of the film from a fever dream he experienced during the release of his first film, Piranha II: The Spawning (1982), in Rome, and developed the concept in collaboration with Wisher. He sold the rights to the project to fellow New World Pictures alumna Hurd on the condition that she would produce the film only if he were to direct it; Hurd eventually secured a distribution deal with Orion Pictures, while executive producers John Daly and Derek Gibson of Hemdale Film Corporation were instrumental in setting up the film's financing and production. Originally approached by Orion for the role of Reese, Schwarzenegger agreed to play the title character after befriending Cameron. Filming, which took place mostly at night on location in Los Angeles, was delayed because of Schwarzenegger's commitments to Conan the Destroyer (1984), during which Cameron found time to work on the scripts for Rambo: First Blood Part II (1985) and Aliens (1986). The film's special effects, which included miniatures and stop-motion animation, were created by a team of artists led by Stan Winston and Gene Warren Jr. (Full article...)
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The Evil Dead is a 1981 American independentsupernatural horror film written and directed by Sam Raimi (in his feature directorial debut). The film stars Bruce Campbell, Ellen Sandweiss, Richard DeManincor, Betsy Baker, and Theresa Tilly as five college students vacationing in an isolated cabin in the woods, where they find an audio tape that, when played, releases a legion of demons and spirits. Four members of the group suffer from demonic possession, forcing the fifth member, Ash Williams (Campbell), to survive an onslaught of increasingly gory mayhem.
Raimi, Campbell, producer Robert G. Tapert, and their friends produced the 1978 short filmWithin the Woods as a proof of concept to build the interest of potential investors, which secured US$90,000 to begin work on The Evil Dead. Principal photography took place on location in a remote cabin in Morristown, Tennessee, in a filming process that proved extremely uncomfortable for the cast and crew. The film's extensive prosthetic makeup and stop-motion effects were created by artist Tom Sullivan. The completed film had its world premiere at the Redford Theatre in Detroit on October 15, 1981, and attracted the interest of producer Irvin Shapiro, who helped screen the film at the 1982 Cannes Film Festival. Horror author Stephen King gave a rave review of the film, which resulted in New Line Cinema acquiring its distribution rights and giving it a wide theatrical release on April 15, 1983. (Full article...)
Gerolmo began writing the script in 1986 after researching the 1964 murders of James Chaney, Andrew Goodman and Michael Schwerner. He and producer Frederick Zollo presented it to Orion Pictures, and the studio hired Parker to direct. The writer and director had disputes over the script, and Orion allowed Parker to make uncredited rewrites. The film was shot in a number of locations in Mississippi and Alabama, with principal photography from March to May 1988. (Full article...)
Following publication of the novel, Hjortsberg began developing the screenplay for a film adaptation, but found that no major studio was willing to produce his script. The project resurfaced in 1985, when producer Elliott Kastner brought the book to Parker's attention. Parker began work on a new script and in doing so made several changes from Hjortsberg's novel. He also met with Mario Kassar and Andrew G. Vajna, who agreed to finance the $18 million production through their independent film studio Carolco Pictures. Filming took place on location in New York and New Orleans, with principal photography lasting from March 1986 to June of that year. (Full article...)
Americana is a 1981 American drama film starring, produced, edited and directed by David Carradine. The screenplay and story, written by Richard Carr, was based on a portion of the 1947 novel, The Perfect Round, by Henry Morton Robinson. The novel's setting was originally post-World War II, but the screenplay involved the post-war experiences of a Vietnam War veteran, obsessed with restoring an abandoned carousel.
In 1981, the film won The People's Choice Award at the Director's Fortnight at the Cannes Film Festival.[disputed – discuss] Financing the film himself, Carradine shot most of the footage for the film, which was co-produced by Skip Sherwood, in 1973 with a band of 26 people, mostly his family and friends, over the course of 18 days. Problems with financing and distribution kept the film from being released until 1983. The film was well received by audiences, but met with primarily negative criticism. (Full article...)
The plot follows the title character, Strawberry Shortcake, who lives in a fictional place called Strawberryland. In the special, narrated by Mr. Sun, she and her friends celebrate her sixth birthday, and with preparations for her party underway, a villain called the Peculiar Purple Pieman plots to steal the berries from Strawberry's home for making the "pies" that Strawberry baked. (Full article...)
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Who's That Girl is a 1987 American screwball comedy film directed by James Foley, and written by Andrew Smith and Ken Finkleman. It stars Madonna and Griffin Dunne, and depicts the story of a street-smart girl who is falsely accused of murdering her boyfriend and is sent to jail. After release, she meets a man, supposed to make sure she gets on her bus back to Philadelphia, and convinces him to help her catch those responsible for her confinement. While searching for an embezzler, they fall in love with each other.
After her 1986 film Shanghai Surprise failed, Madonna decided to sign on to another comedy, titled Slammer, later renamed Who's That Girl. However, she had to convince both Warner Bros. and the film's producers that she was ready. Madonna enlisted her friend Foley to direct. Shooting began in New York in October 1986, and continued until March 1987. Production was halted during December due to snowfall. Madonna utilized the time to work on her next tour and the film's soundtrack. (Full article...)
The starting point for the script was the ensemble cast of friends and previous collaborators Jarmusch had conceived characters for, while the tripartite formal structure of the film was inspired by his study of literary forms. Cinematographer Robby Müller and musician John Lurie were among the many contributors who had been involved in earlier Jarmusch projects and returned to work on the film. Mystery Train's US$2.8 million budget (financed by Japanese conglomerate JVC) was considerable compared to what the director had enjoyed before, and allowed him the freedom to rehearse many unscripted background scenes. It was the first of Jarmusch's feature films since Permanent Vacation to depart from his trademark black-and-white photography, though the use of color was tightly controlled to conform with the director's intuitive sense of the film's aesthetic.[according to whom?] (Full article...)
The film started as a collaboration between Henson and Froud following their previous collaboration The Dark Crystal (1982). Terry Jones of Monty Python wrote the first draft of the film's script early in 1984, drawing on Froud's sketches for inspiration. Various other scriptwriters rewrote it and added to it, including Laura Phillips, Lucas, Dennis Lee, and Elaine May—although Jones received the film's sole screenwriting credit. It was shot from April to September 1985 on location in Upper Nyack, Piermont, and Haverstraw, New York, and at Elstree Studios and West Wycombe Park in the United Kingdom. (Full article...)
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White Dog is a 1982 American dramahorror film, which Samuel Fuller directed from a screenplay he and Curtis Hanson had dramatized, which, in turn, they based on Romain Gary's 1970 novel of the same title. The film depicts the struggle of a dog trainer named Keys (Paul Winfield), who is black, trying to retrain a stray dog found by a young actress (Kristy McNichol), that is a "white dog"—a dog trained to make vicious attacks upon, and to kill, any black person. Fuller uses the film as a platform to deliver a message against racism as it examines the question of whether racism is a treatable problem or an incurable condition.
The film's theatrical release was suppressed for a week in the United States by Paramount Pictures out of concern over negative press after rumors began circulating that the film was racist. Prior to the date, it was released internationally in France in July 1982. Its first official American home video release came in December 2008 when The Criterion Collection released the original uncut film to DVD. (Full article...)
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L.A. Takedown, also called L.A. Crimewave and Made in L.A., is a 1989 American crimeaction film written and directed by Michael Mann. Originally filmed as a pilot for an NBC television series, the project was reworked and aired as a stand-alone TV film after the series was not picked up. The film was later released on VHS and, in Region 2, on DVD.
Rudraveena focuses on the ideological conflicts between 'Bilahari' Ganapathi Sastry, a reputed carnatic musician and his younger son Suryanarayana "Suryam" Sastry. Sastry's discrimination towards the people belonging to lower castes is criticised by his son, Suryam, who believes in society's welfare and walks out for good later. The events that led to the change in Sastry's views form the remaining part of the story. Ganesh Patro wrote the film's dialogue and worked on the script with Balachander for two months, though it was tweaked many times during the shoot. Ilaiyaraaja composed the soundtrack and background score. R. Raghunadha Reddy was the director of photography. Ganesh Kumar edited the film and Mohanam was the art director. (Full article...)
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