Portal:Visual arts

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THE VISUAL ARTS PORTAL

Introduction

Vincent van Gogh painting The Church at Auvers from 1890 gray church against blue sky
The Church at Auvers, an oil painting by Vincent van Gogh (1890)

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, comics, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts as well as arts of other types. Also included within the visual arts are the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art.

Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying to the highest degree on the imagination of the artist and being the furthest removed from manual labour – in Chinese painting, the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)

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Four men walking through a village in an intoxicated state
Uroš Predić, Happy Brothers, 1887, oil on canvas, 82 by 122 centimetres (32 by 48 in), National Museum of Serbia

Happy Brothers, Their Poor Mother! (often referred to simply as Happy Brothers) is an 1887 oil painting by the Serbian artist Uroš Predić. It shows four intoxicated youths walking through their village whilst the mother of one shouts her disapproval from the distance. The painting is said to have been inspired by a frequent sight in Predić's home village of Orlovat—that of drunken youths returning from the pub at dawn. Predić painted the composition hoping it would persuade the villagers to change their ways. He was disappointed that it not only failed to decrease the incidence of drunkenness in Orlovat, but was well received by the villagers themselves, who were happy merely to have been depicted.

One art historian suggests the painting was influenced by the works of Rosa Bonheur and Gustave Courbet, while another believes it was informed by those of the satirists William Hogarth and Honoré Daumier. The painting's humorous content contributed to its popularity among critics, collectors and the public at large, which led to Predić painting two replicas in 1918 and 1922. By 1890, the original was owned by the National Museum of Serbia, in whose possession it remains. (Full article...)
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Phoenix detail from the Aberdeen Bestiary
Phoenix detail from the Aberdeen Bestiary
Phoenix detail from the Aberdeen Bestiary
Credit: Aberdeen Bestiary
Illustration detail of a phoenix from the Aberdeen Bestiary, a 12th century example of an illustrated manuscript.

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Drawing is like making an expressive gesture with the advantage of permanence.
Henri Matisse, unknown


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Derek Howard Turner (15 May 1931 – 1 August 1985) was an English museum curator and art historian who specialised in liturgical studies and illuminated manuscripts. He worked at the British Museum and the British Library from 1956 until his death, focusing on exhibitions, scholarship, and loans.

Following several years spent at a hospital and at an Anglican Benedictine abbey, Turner found employment in the British Museum's Department of Manuscripts at the age of 25. Serving first as assistant keeper, and later as deputy keeper, within two years of his hiring he helped the museum select manuscripts for purchase from the Dyson Perrins collection and organised his first exhibition; in the 1960s he also took teaching posts at the Universities of Cambridge and East Anglia. (Full article...)
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